Bill Lecky Passes

William “Bill” Prescott Lecky, FAIA, age 92, of Annapolis, MD, passed away peacefully on April 5th, 2026 surrounded by his loving family.

Born on January 21st, 1934 in New York, NY, Bill lived an incredible life, touching millions as a world-renowned Washington, D.C. based architect. After his father passed away when he was very young, Bill was sent to boarding school at the Cooperstown Academy in Cooperstown, NY. It was there, during his formative years, that he developed a love of woodworking and design. Later, while enlisted in the U.S. Army during the Korean War, Bill was on leave in Mexico when he visited a contemporary designed church and discovered his life’s calling. 

Upon completing his service in the military, Bill attended the University of Virginia where he got his B.A. in Architecture in 1960. Shortly after he graduated, Bill formed a partnership with W. Kent Cooper, and Cooper-Lecky Architects became a stalwart of the Washington D.C. architectural community for nearly 40 years. Known for developing and training hundreds of young architects who passed through their doors, Cooper-Lecky holds fond memories for many of today’s leading D.C. area architects. During his career, Bill worked on numerous projects ranging from schools, churches and libraries to custom offices and unique private homes, including several government landmarks including the Blair House, White House Press Room, and projects at the National Zoo. Over the course of his career, Bill’s design aesthetic was inspired by Bauhaus, Frank Lloyd Wright and mid-century modern approaches to architecture.

One of his proudest achievements involved working on renovations at numerous public and private buildings immediately after congress passed the Rehabilitation Act of 1973, requiring buildings to be retrofitted for accessibility for the disabled.  Through this work, Cooper-Lecky Architects led the way on what became the first wave of accessibility standards for building design in the United States.

Above all, Bill was known for his prominent roles in designing and constructing the Vietnam Veterans’ Memorial and the Korean War Veterans’ Memorial on the National Mall, in Washington, DC. Conceived by Yale Architecture Student Maya Lin, the Vietnam Memorial concept was selected in a national design competition. Given that Lin had not yet graduated from college, an Architect of Record was required to finalize the design and engineering and to oversee construction. Bill’s prominent role in this project led to Cooper-Lecky Architects being selected as the design team for the Korean War Veterans Memorial which was dedicated in 1995. 

It was a combination of projects that led to numerous professional awards including the AIA’s 25-year design award for the Vietnam Memorial and Bill’s induction into the College of Fellows of the American Institute of Architects (FAIA) in 2008.

Outside of architecture, Bill was a loving husband, father, and grandfather. He relished time with his family at their weekend home in Bethany Beach, DE, and he loved to travel, with Tuscany and Sante Fe being two of his favorite destinations. Following his retirement, Bill returned to his roots in woodworking and artisanship, creating sculpture and making jewelry as a way to continue his creative passions. His self-published book, Designing for Remembrance: An Architectural Memoir (2012), remains one of the most interesting and detailed accounts of the trials and tribulations of building memorials on the National Mall. Bill remained a loyal UVA alumnus and Cavaliers sports fan, as well as a die-hard Redskins/Commanders fan until his passing.

Bill is survived by his wife of more than 60 years, Paula, his children Brooke (Matt Supple), Eric, and his grandchildren Stirling, Campbell, Ava and Grant.

For those wishing to commemorate or remember Bill, we invite you to leave comments on his “Lecky Design Studio” Facebook Page.  In lieu of flowers, please consider a donation to the Architects Foundation (https://architectsfoundation.org/donation/), the philanthropic arm of the American Institute of Architects investing in scholarships and educational programs to help the next generation of young architects succeed in their careers. The family will gather for a private ceremony in Richmond, VA.

The 2026 Honors Committee

The Honors program recognizes the best efforts of Virginians who — by profession or avocation — have made creating, preserving, and enhancing Virginia’s communities an important life commitment.

Bruce Wardell, FAIA

AIA Virginia gratefully acknowledges those who will serve on this year’s Honors Committee: Bruce Wardell, FAIA (who will chair), Rebecca Brady, AIA, April Drake, AIA, Harry Falconer, FAIA, Jessie Gemmer, AIA, Katie Honbarrier, AIA, Mark Humbertson, AIA, Andrew McKinley, AIA, David Prevette, AIA, Mel Price, FAIA, Susan Pryor, AIA, Mitch Rowland, AIA, Lauren Shirley, AIA. Paul R Battaglia, AIA will serve as the AIAVA liaison.

Be advised that members of the Honors Committee may not be used as a reference or advisor on any award or be solicited by the candidate or the candidate’s advisor. They’ll be busy reviewing the submissions. But you can please help us acknowledge and celebrate those doing great work in domains within and adjacent to our profession by nominating them and facilitating their submission.

A Call for Candidates

A Call for Candidates for At-large Director and President-Elect

We applaud and appreciate the continuing contributions of Kendall Nicholson, Assoc. AIA, who serves as the At-Large Director on the AIA Virginia Board. And we look forward to welcoming his successor and our next President-Elect as we announce a call for candidates to both positions.

At-large Director Position

The At-large Director’s viewpoints should be statewide in scope. The term of office for this position is two years (non-renewable; non-consecutive terms). This position is open to both architect and associate members.

President-Elect

President-elect is a one-year position at the beginning of a three-year term of service on both the Board of Directors and the Executive Committee. During the first year the President-elect presides in the absence of the President. Following the initial year, the individual serves one year as President (presiding over the organization), and thereafter one year as Past President.

Candidate Declaration  

Any member-in-good-standing may declare their candidacy by informing the Secretary, through the Executive Vice President, of their intention to be considered for one of the available positions.

Submissions by candidates are due by 5:00 p.m. EDT, Monday, August 10, 2026, to Paul R. Battaglia, AIA, Executive Vice President, at pbattaglia@aiava.org. Candidates must submit the following:

  • A resume, headshot, and statement of philosophy. The statement of philosophy is limited to 250 words.
  • A declaration indicating that the individual’s firm does not employ unpaid labor on projects.
  • A letter of support from three different AIA Virginia members-in-good-standing.
  • Aspirants for the At-Large position must also submit a statement of acknowledgment from their local AIA component that the candidate will stand for election.

The Board of Directors will approve the full slate of candidates during its August Meeting, and the slate will be announced to members in advance of the elections to be held during the Annual Meeting of the Membership at Architecture Exchange East in Richmond, VA, on Wednesday, November 4, 2026. Terms of those elected will commence at the Board Meeting scheduled for Friday, December 11, 2026.

Opportunities to support VANOMA’s Project Pipeline

Please consider contributing to VANOMA’s Project Pipeline. This enriching camp is designed to introduce students (grades 8–12) to the world of architecture and design through hands-on activities, mentorship, and creative exploration. It’s a great opportunity for students to discover new career paths, build confidence, and connect with like-minded peers. This year VANOMA’s Project Pipeline will be hosted in two locations: Brightpoint Community College’s Chester Campus and Hampton University. Both camps will take place July 13-17th.

There are several ways to help.

Spread the word by sharing this opportunity with students and families. Those who are curious can learn more and register for the camp here>>

Volunteer. Your engagement makes Project Pipeline a success for the campers. For general information and to learn more about volunteer schedules, you can email info.vanoma@gmail.com. Or you can register as a volunteer at VA NOMA 2025 Project Pipeline Mentor Registration Form.

Thank you for supporting programs that inspire and empower the next generation of leaders and designers.

Carrie Parker, AIA – 2026 Young Architect Awardee

We are elated that the American Institute of Architects (AIA) has announced that Carrie Parker, AIA is a recipient of the 2026 Young Architect Award. The AIA Young Architects Award honors individuals who have demonstrated exceptional leadership and made significant contributions to the architecture profession early in their careers.

Carrie has provided service and leadership to the AIA Manufacturer’s Council, the YAF Forum, the Strategic Vision Council, the AIA Virginia Advocacy Council, and EP Roundtable, as well as AIAS, NCARB, and NAAB. Carrie has stated that “the recognition is deeply meaningful, and I’m grateful to the AIA for elevating leadership, service, and impact within our profession.” Our response: Carrie, we appreciate the leadership, service, and impact you have provided and congratulate you on this well-deserved award.

Newly Licensed

We understand the dedication and effort required to study for and pass the ARE. Congratulations to the following members for passing their exams and gaining licensure. This is great news that thrills all of us and we are so proud to call you architects!

Caroline Sorge, AIA (Coastal Virginia)
Jason Wood, AIA (Northern Virginia)

Have you recently passed the ARE? Change your membership to Architect at me.aia.org

Are you ready to get licensed? AIA Virginia has discounted 60-day Amber Book subscriptions. Read more about it here>>

Support our Associate members on their path to licensure with your support of the discounted Amber Book subscription. Donate to the AIA Virginia Foundation

Have questions about licensure? Contact AIA Virginia’s State Licensing Advisor, Gina Robinson, AIA, at gina.robinson@hdrinc.com

New Members

We are always excited to welcome new members to Virginia. The following members recently joined the ranks of AIA Virginia.

New Architect Members
Bindiya Agarwal, AIA  (Northern Virginia)
Andrew Morrell, AIA  (Northern Virginia)

New Associate Members
Uri Cooper, Assoc. AIA (Coastal Virginia)
Glen Rorie, Assoc. AIA (Northern Virginia)
Nicolina Secchi, Assoc. AIA (Coastal Virginia)

Transfers into AIA Virginia
Daniel Blair, AIA (Northern Virginia) from AIA Washington DC
Paul Braun, AIA (Richmond) from AIA Maryland
Karen Junie Delgado, AIA (Northern Virginia) from AIA New York State
Peter Kozloski, III, AIA (Northern Virginia) from AIA North Carolina
David Proffitt, AIA (Richmond) from AIA Tennessee
Mahdi Sabouhi, AIA (Northern Virginia) from AIA New York State
Hiren Shah, AIA (Northern Virginia) from AIA Washington DC
Caroline Sorge, AIA (Coastal Virginia) from AIA Maryland

Upgraded to Emeritus
Peter Andreu, Jr., AIA Member Emeritus (Coastal Virginia)
John Rust, AIA Member Emeritus (Northern Virginia)
Anthony Bell, III, AIA Member Emeritus (Richmond)
Louis Wolf, AIA Member Emeritus (Richmond)
Roger Schickedantz, AIA Member Emeritus (Central Virginia)
Karen Van Lengen, FAIA Member Emeritus (Central Virginia)

New/Renewed Allied Members
Dan Longenderfer, Director of Marketing, York Building Products
Brian Hunt, Vice President, Keith Fabry
Paxton Whitmore, Territory Manager, The Garland Company

View all of the allied members of AIA Virginia

Meet the 2026 Honors Committee

The honors program recognizes the best efforts of Virginians who, by profession or avocation, have made creating, preserving, and enhancing Virginia’s communities an important life commitment.

The call for nominations opens April 15, 2026. The submission deadline is June 12, 2026.

President Hopkins appointed the following members to the Honors Committee for a two-year term expiring Dec. 2027:

Bruce Wardell, FAIA

Lauren Shirley, AIA
April Drake, AIA
Mark Humbertson, AIA 
Harry Falconer, FAIA
Mitch Rowland, AIA

They join those currently serving with terms expiring Dec 2026:

Bruce Wardell, FAIA (appointed as CHAIR)
Mel Price, FAIA
Andrew McKinley, AIA
Rebecca Brady, AIA
Katie Honbarrier, AIA
David Prevette, AIA
Susan Pryor, AIA
Jessie Gemmer, AIA
Paul R Battaglia, AIA serves as liaison

Members of the Honors Committee may not be used as a reference or advisor on any award or be solicited by the candidate or the candidate’s advisor.

Fast and Furious February!

I know, February is the shortest month of the year, but it certainly felt like a whirlwind for AIA Virginia. From our first annual Hill Day in Richmond to our strategic planning retreat in Harrisonburg and finally the AIA Leadership Summit in D.C., the AIAVA staff and Board members were very busy last month.

Hill Day in Richmond was an invigorating and inspiring experience. We began the morning by listening to Andrew Moore, AIA and Jen Bailey, AIA describe the design and construction process for the General Assembly Building, including the challenges they faced along the way. If you haven’t toured the GAB yet, I highly recommend it. After a brief tour of a few spaces, we headed to the historic Capitol Building to observe a joint session of the Generally Assembly. We were honored with a shout-out from the floor by Delegate Beverly Carr, a long-time loyal friend to AIA Virginia whose sponsorship of the alternative path to licensure bill was instrumental. For more on this event, including the full text of Delegate Carr’s remarks, be sure to check out this post from the AIA Virginia February newsletter.

Just a few days later, the Board convened in Harrisonburg for our strategic planning retreat, facilitated by spill teem. Josh and his team did not disappoint. Their “Human-Centered Approach” (people first, process second) was engaging, fast-paced, and productive. Through a mix of thought-provoking presentations and collaborative group sessions, we debated, refined, and ultimately shaped a concise list of actionable priorities that will become the framework for our next strategic plan. Spill Teem team is now synthesizing our work and will be submitting a draft plan to the Board in April. I’m excited to see our many sticky notes evolve into a tangible and strategic action plan.

Finally, AIA component leaders from across the U.S. gathered in Washington February 13th and 14th for the annual Leadership Summit. In addition to keynotes and educational sessions, more than 500 AIA members spent a day on Capitol Hill meeting with Congressional staff to advocate for key issues that impact our profession:

  • retaining professional designation for architectural graduate degrees,
  • support of Design Freedom to ensure federal buildings reflect the local context and culture versus a single, mandated style and support of the People’s White House Historic Preservation Act,
  • extension of the 179-D High-Performance Building Tax Credit (set to expire in June),
  • and continued support of affordable housing legislation.

Every meeting I participated in felt productive. Staff are knowledgeable, attentive, and genuinely interested in understanding the challenges facing our profession. Hill Day was a renewed reminder of the power of a representative government and the role each of us can – and should – play in shaping it. Visit AIA.org for a brief on each of these issues and ways you can lend your voice.

As busy as February was for me and my fellow Board members, the experiences deepened my commitment to serving each of you and helping ensure that AIA Virginia continues to grow stronger, more valuable, and more resilient.

Sincerely,
Bill Hopkins, AIA
AIA Virginia President

J.E.D.I. Spotlight: Work Program Architects

The AIA Virginia Justice, Equity, Diversity, and Inclusion Committee (J.E.D.I.) is dedicated to promoting human-centered practices and encouraging others to follow suit. Across the Commonwealth, firms are making strides in diversity, fostering inclusion, and adopting policies that open doors to the architectural profession—through both incremental improvements and significant changes. We hope this article will inspire practical steps that help firms adapt to an evolving profession and build more equitable, accessible, and modern workplaces. 

Work Program Architects (WPA), founded in Norfolk, Virginia, is one such firm. Their approach feels particularly relevant at a time when the profession is undergoing a significant transition and when many designers, especially those just entering the field, are reconsidering what a healthy, sustainable career means in 2026 and beyond. 

The 2025 AIA Virginia Art of Practice: The Future of Work conversations emphasized how much the landscape is shifting. With the average architect now 51 years old and more practitioners over 60 than under 40, the profession is navigating an era defined by leadership turnover, evolving expectations, and a growing need to prepare new voices for roles of influence. Younger architects are increasingly seeking workplaces that reflect their values: firms that operate transparently, embrace inclusivity, support balance, and place people at the center of decision-making. 

WPA offers a clear example of how these priorities can be translated into the structure of practice. The firm has cultivated an environment where access to information, opportunities for growth, and a sense of belonging are not dependent on tenure. Differences in background, communication style, and lived experience are treated as strengths. Responsibility is shared, and emerging professionals have meaningful opportunities to contribute to the firm’s culture. 

To learn more, the J.E.D.I. Committee spoke with three WPA leaders—Co-founder Mel Price, FAIA, and Associate Principals Erin Agdinaoay, AIA of the Norfolk studio, and Sam Bowling, AIA of the firm’s newly opened Raleigh office. Their perspectives on culture, access, and the future of work frame the conversation that follows. 

Values Inform Process: Practice of Participation 

WPA, since its founding in 2010, has described community building—within the studio and throughout its projects—as the thread that ties the practice together. A collaborative design process to build social, economic, and environmental resilience informs their commitment to community, transparency, respect for people and place, which all guide decisions in the office and in the field. 

When design teams reflect the communities they serve, the firm has found that clients engage more fully and trust grows naturally. That belief shapes hiring and team formation: the studio seeks a mix of perspectives, lived experiences, and communication styles to widen its cultural bandwidth rather than narrowing it to one mold. 

Mel Price, FAIA, Co-Founder, oriented our conversation by stating: 

“We feel diversity and our mission are inextricably linked. It’s important we serve an incredibly diverse population, and that means we have to work to include a diverse group of designers.” 

Those values show up in the mechanics of daily work. Their practice is designed for belonging and shared ownership of the work; staff at all levels pitch and vote on projects so assignments align with strengths and experience, not just job titles. 

As people are invited to participate in steering the work, ownership follows—and so does better design. WPA is candid about being a learning organization, but the direction is clear: inclusion takes root when systems give more people room to contribute and to lead. Soft skills typically sought at senior levels, such as communication, firm management, and leadership, are developed alongside early- to mid-career technical expertise. 

Sam Bowling, AIA, Associate Principal, offered this advice: 

“Never assume someone’s skill ceiling—give young designers the latitude to try things and succeed early.” 

The firm’s outlook on culture is practical and specific. Likewise, teams are built to help clients and community partners feel at home in the process—never like outsiders trying to find their lane. That same mindset carries across the studio. All staff are encouraged to build real relationships with clients, because those connections make the work stronger and the process smoother. 

Mel went on to explain the methodology behind fostering relationships: 

“It’s not always pairing someone who makes sense on paper or looks like the group we’re speaking with. It’s pairing someone with people who make them feel at home or at ease; it looks different for everyone…we do better work when our clients and consultants are collaborating with people who they trust.” 

WPA often refers to itself as a “curio cabinet of designers.” The phrase signals what the firm looks for: people who bring a new lens, skill, or way of seeing the world. The aim is to hire for a culture add—not a culture fit. Each person stretches the studio’s thinking and deepens its connection to the communities it serves. Valuing difference only matters if people have a voice in the work itself, and the studio’s structures are set up to make that voice matter.

Erin Agdinaoay AIA, Associate Principal, further tied this philosophy to the firm’s goal of resiliency: 

“Our approach to diversity centers on building teams that reflect the variety of people we work with and serve. By ensuring diversity exists at every level—from our staff to our clients and the communities who use our spaces—we create more resilient projects. When many perspectives contribute to the design, the result is stronger and more inclusive because it draws from a broader range of experiences.” 

The result is a practice where participation is expected, not exceptional. WPA doesn’t claim to have solved everything, but it holds to a simple test: if the studio’s structure expands opportunity—who speaks, who decides, who learns—then inclusion is moving from intention to reality. 

Image: The WPA lounge, where all-studio meetings are held. The space is intentionally decentralized, “in the round”; designed to dissolve hierarchy and reinforce leadership as a shared, collective experience. The physical setup becomes a visual metaphor: no one is at the front, no one is at the head, and everyone’s voice carries equal weight.

Transparency: Equity by Design 

Representation and voice mean little if opportunity remains gated by hierarchy. The architectural profession has long held that authority arrives with time served. Knowledge and decision-making rights accumulate at the top, leaving early- and mid-career designers on the periphery, often with the expectation that they will ‘learn on the job’ as senior leadership inevitably retires. In a field confronting burnout and a shrinking pipeline, that model constrains talent and slows innovation.

WPA approaches the problem through access. The firm treats transparency as a working system, not a talking point, shaping everything from weekly meetings to project pursuit and contract authority. After more than fifteen years in practice, and a period of steady growth, the team’s conclusion is straightforward: context helps people do better work and make better choices. Early exposure to how a firm actually runs, in a psychologically safe environment, prepares emerging professionals to contribute at a higher level. 

“WPA has maintained 100% financial transparency since its inception,” says Price. “That means sharing all financial data—including salaries—with the entire team.” 

Openness extends beyond the ledger. WPA designs systems to explain the “why” behind decisions and to revisit policies when the rationale no longer holds. Over time, the firm has redefined full time employment eligible for benefits to 30 hours per week, rethought performance-based compensation, and annually rotated leadership and committee roles to broaden experience and perspective. These processes help foster leadership at all levels of the firm. 

“Our performance evaluation and compensation are fully separate; raises and bonuses are determined by committees that rotate annually through all experience levels and disciplines. Because how are you going to develop the skills to assess compensation if you don’t practice?” 

Access also reframes mentorship. Mentorship with intent means setting public, individualized development goals and placing newer staff in roles that would typically be reserved for senior practitioners. Younger architects manage projects under the guidance of experienced leaders, participate in fee development, choose consultants, and contribute to firm wide strategic planning. The learning is shared, and so is the accountability. 

“Those younger and more senior have the opportunity to switch roles,” explains Price.
“A younger staff member might manage a project, while senior staff take the passenger seat—learning, mentoring, and supporting along the way.” 

A long runway for leadership where ‘Everyone is expected to be a role model to their peers, both more senior and less senior than them’ follows naturally from this stance. From day one, designers are invited to critique the firm, pitch ideas, and help shape culture. 

Bowling puts it plainly: 

“We want people to experience the full breadth of the profession so they can make decisions about their future—even if that future happens away from WPA.” 

WPA’s leadership earnestly believes that this approach develops future leaders by giving people the information, coaching, and trust they need to grow into responsibility earlier and with purpose. 

The broader profession is moving in this direction. Emerging professionals want workplaces that align with their values, where equity, transparency, and flexibility aren’t privileges reserved for those with tenure, but part of how work happens. Firms that recognize this shift are better positioned to attract and keep talent. 

The challenge ahead is simple to state and demanding to execute: share authority, dismantle silos, and embed agency into the DNA of practice. If architecture aims to create spaces that foster inclusion and agency, the workplace should carry the same standard. 

“It is everyone’s job to make the company better. Often, that begins with a sense of ownership and belonging.” 

Images: The WPA studio breakout zones are intentionally unstructured, human‑centered environments designed to make collaboration feel natural rather than forced. The physical layout, the atmosphere, and the proximity of different teams all work together to create a place where people can drift in, connect, and create without the pressure of formality or hierarchy.

Human Centric Practice: What we do well for ourselves, we will do well for others 

WPA’s model of equity is inseparable from its approach to well being. The firm’s premise is direct: work should work for more people. That starts by acknowledging that architects are whole humans—more than job titles or billable hours—they are creatives whose energy, momentum, capacity, and responsibilities change across a week and across a career. 

Flexibility is built into the culture. There are no fixed remote days or rigid schedules; teams decide when and where they work best. For working parents, neurodiverse colleagues, and anyone navigating shifting personal demands, that flexibility keeps careers viable and momentum steady. 

The physical studio reflects those priorities. WPA designs its own environment as carefully as it designs for clients: quiet rooms, nap rooms, sit to stand desks, bike storage and showers, and a range of collaborative and private settings that let people match space to task. Wellness support is part of the fabric, with visiting health professionals, including a dietician, helping staff build sustainable habits. 

“Expectations matter as much as amenities,” says Price. WPA questions the assumption that long hours equal dedication. Teams normalize conversations about capacity, stress, and balance. Price sets the tone by keeping her calendar open to the studio—client meetings alongside exercise, family time, and personal commitments—so that healthy boundaries are visible and legitimate. 

“The message is introduced early, even in interviews: leave the culture of exhaustion at the door and invest in sleep, nutrition, movement, and stress management,” Agdinaoay elaborates “Start with trust, get people’s human needs taken care of, and really prioritize everyone being a healthy person first so that they can show up and be a great professional achieving what they’ve what they’ve set out to do.” 

Care is made concrete; the staff receives a monthly health bonus and incentives to walk or bike to work, take breaks, or even schedule additional time off after deadlines. Partners have access to executive coaching. When someone is carrying a heavy load, the response is active: the chief of staff checks in and creates space for recovery. 

Inclusion here is not another expectation layered onto already full plates; rather, WPA sees it as the removal of obstacles that prevent people from bringing their full selves to work. 

As they have continued to grow, the firm recognized the role their size played in their reputation as a nimble-by-nature practice. As they scale, they are finding that timing is just as critical as intent to maintain trust: 

“Being able to quickly pivot and change something when you hear feedback, is one of the most essential ingredients to success. If it takes you a year to make a new policy after many rounds of surveys and peer groups, you lose people.” 

By aligning policies, places, and practices, WPA is showing how a humane studio can also be a high performing one. 

Two examples evident in their studio are the presence of pets in the workplace and the dynamic dress policy. Whether it’s the furry friends in the office or the variety of individuals at work, WPA has an interesting approach to what it means to “show up professionally.” 

Price explained the ‘why’ behind this decision: 

“Our handbook isn’t about policing appearance—it’s about how you show up for others. In a creative industry, self-expression is welcome—rainbow hair included—as long as you’re polished, know your audience, and show up in a way that builds trust and strong relationships.”

WPA and its members believe the value of their firm comes from a desire to hold sacred what is at the core of their practice, specifically their mission and core principles, and to challenge the periphery. 

In our conversation with the team, they stated that:

“We feel like if we’re doing it right, you should feel it change every three to four months. The company is like a living, breathing organism – as people grow and change, so does the firm.” 

Taken together, these efforts describe a practice designed for people and projects. From who is hired to how work is chosen to how well-being is supported, WPA ties values to systems so that belonging shows up in the day to day. 

The firm doesn’t claim a perfect model, but it offers a clear direction: measure success by the quality of the work and by the number of people who can thrive while doing it. 

Image: The 2026 WPA team is pictured in the ground-floor studio of the Assembly Building, a shared-workspace conceived and refined by its own inhabitants. Purposeful, shaped by lived experience, and collectively inspired, the environment reflects a culture where design and community are inseparable

Change at the firm level is cumulative. Each policy, pilot, and conversation takes time to design, test, and refine—and it asks for steady commitment from leadership and staff alike. 

Yet the payoff is real. As the demand for our profession grows, a disproportionately small number of architects rise in the ranks, and the fundamental nature of our work evolves, every effort to engage people and places on a human level creates clearer pathways for growth, a stronger sense of belonging, and teams that are more resilient when conditions shift. 

These are stretch goals by design; they ask us to reach beyond habit.  

This kind of radical practice is uncommon, but as the J.E.D.I. Committee continues to surface practical examples from peers across the Commonwealth, we encourage you to look for opportunities to contribute within your firms. Our hope is that firms see both the effort and the reward: a practice organized around people, adaptable, and better prepared to serve the communities we design for.